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It is a number of essays by way of a world workforce of students, targeting problems with aesthetics and verbal exchange in Kierkegaard's writing. The individuals discover the consistent and complicated interplay in his authorship among medium and message, writer, authority and reader, textual content and transcendence, interpreting and misreading. With consistent connection with the non secular thrust of his paintings, Kierkegaard is handled either as a major contributor to the theoretical dialogue of conversation and as a talented literary practicioner. The views are various, and the individuals convey a variety of designated pursuits to endure on their interpretation of Kierkegaard: from outdated testomony reports to opera, from theological hermeneutics to Nietzsche and modern feminism. there's, no longer strangely, no effortless consensus yet there's a reputation of the fashion and type of Kierkegaard's writing as being decisive for his importance at the present time.

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