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Edges of Empire is a well timed reassessment of the heritage and legacy of Orientalist paintings and visible tradition via its specialize in the intersection among modernization, modernism and Orientalism.

  • Covers indigenous paintings and enterprise, modern practices of assortment and show, and a survey of key Orientalist tropes
  • Contains unique essays on new views for students and scholars of paintings historical past, structure, museum reviews and cultural and postcolonial studies
  • Highlights contested identities and new definitions of self via themes similar to nineteenth century monuments to Empire, cultural cross-dressing, functionality and demonstrate on the foreign exhibitions, and modern museological practice.

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