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Profiling milestones and events within the arts, literature, song and faith from a selected interval, every one quantity during this set is helping scholars and researchers comprehend many of the disciplines of the arts when it comes to one another, in addition to to historical past and tradition. an outline of the interval and a chronology of significant international occasions commence each one quantity. 9 chapters stick to protecting the foremost branches of the arts: structure and layout, dance, type, literature, tune, philosophy, faith, theater and visible arts. Chapters commence with a chronology of significant occasions in the self-discipline by way of articles overlaying the hobbies, colleges of concept and masterworks that symbolize the self-discipline in the course of the period and biographical profiles of pioneers, masters and different well-liked figures within the box. Chapters additionally contain major fundamental records from the interval, together with quotations, excerpts from artists approximately their paintings and/or commentaries/criticism released throughout the interval, and a listing of normal references for extra details.

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147 T OPICS IN L ITERATURE id and Authority. . . . . . . . . . . . . . Heroic Narrative. . . . . . . . . . . . . . . . . . Heroic Literature in Medieval Scandinavia The Heroic Narrative in France . . . . . . . The Heroic Narrative in Spain . . . . . . . . Origins, Definitions, and different types of Romance . . . . . . . . . . . . . . . . . . . . . Courtly Love. . . . . . . . . . . . . . . . . . . . . Arthurian Romance. . . . . . . . . . . . . . . . Translatio Studii: assets for love . . The Non-Narrative Lyric Impulse. . . . . . Medieval Allegory and Philosophical Texts Dante Alighieri. . . . . . . . . . . . . . . . . . . The Medieval Dream imaginative and prescient . . . . . . . . . William Langland and Piers Plowman . . . The Medieval tale assortment . . . . . . . . The Canterbury stories . . . . . . . . . . . . . . Christine de Pizan. . . . . . . . . . . . . . . . . S IGNIFICANT P E O P L E Giovanni Boccaccio. . Geoffrey Chaucer . . . Chrétien de Troyes . . Dante Alighieri. . . . . Marie de France . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149 153 one hundred fifty five 158 161 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163 166 169 173 177 183 186 189 192 195 199 201 . . . . . . . . . . . . . . . . . . . . 204 205 205 206 207 D OCUMENTARY S OURCES . . . . . . . . . . . . . . 208 vi bankruptcy five: tune I MPORTANT E VENTS . . . . . . . . . . . . . . . O VERVIEW . . . . . . . . . . . . . . . . . . . . . . . T OPICS IN M USIC Musical functionality . . . . . . . . . . . . . . . tune in deepest and Public . . . . . . . . . . Musical tools . . . . . . . . . . . . . . . Plainsong and the Monophonic culture Additions to the Sacred Repertory. . . . . . The Monophonic Secular culture . . . . non secular track of the Layman . . . . . . . The Earliest Polyphonic tune . . . . . . . . Motets and Canons. . . . . . . . . . . . . . . . Polyphonic Secular song and nationwide types . . . . . . . . . . . . . . . . . . . . . . . . Dufay and the overdue Medieval Ceremonial Motet. . . . . . . . . . . . . . . . . . . . . . . . Guillaume de Machaut’s Messe de Nostre Dame. . . . . . . . . . . . . . . . . . . . . . . . The Cyclic Mass culture: Missa Caput. Missa Se l. a. face ay faded . . . . . . . . . . . . . The Mechanics of song: Scales and Treatises . . . . . . . . . . . . . . . . . . . . . . structures of Notation . . . . . . . . . . . . . . . S IGNIFICANT P E O P L E Adam de l. a. Halle . . . . . . . . . . . . . . . . . Bernart de Ventadorn . . . . . . . . . . . . . . Guillaume Dufay . . . . . . . . . . . . . . . . . Guido of Arezzo . . . . . . . . . . . . . . . . . . Hildegard of Bingen . . . . . . . . . . . . . . . Francesco Landini . . . . . . . . . . . . . . . . . Guillaume de Machaut . . . . . . . . . . . . . Notker Balbulus . . . . . . . . . . . . . . . . . . Pietrobono de Burzellis . . . . . . . . . . . . . Philippe de Vitry . . . . . . . . . . . . . . . . . Walther von der Vogelweide . . . . . . . . . D OCUMENTARY S OURCES . . . . . . . . . . . . . . 212 . . . . 214 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215 218 219 223 226 228 232 234 235 . . . . 238 . . . . 242 . . . . 243 . . . . 244 . . . . 245 . . . . 245 . . . . 249 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251 251 251 252 252 252 253 253 254 254 254 255 bankruptcy 6: PHILOSOPHY I MPORTANT E VENTS . . . . . . . . . . . . . . . . . . . 257 O VERVIEW . . . . . . . . . . . . . . . . . . . . . . . . . . . 260 T OPICS IN P HILOSOPHY the rules: Augustine and Boethius . . . . 261 Rationalism within the Age of Charlemagne . . . . . 264 Anselm of Canterbury . . . . . . . . . . . . . . . . . . 265 the matter Of Universals . . . . . . . . . . . . . . 266 the colleges of the 12th Century . . . . . . . . 268 Philosophy one of the Muslims and the Jews .

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